Fiene Quintanilla Online Catalogue Raisonné Project
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The Prints of Luis Quintanilla:
A Catalogue Raisonné
(in progress)
Thumbnail Catalogue -- Part 1
 Madrid Series Prints
Works created in Madrid
(listed in order of catalogue number)
Click an image or a title to visit the full entry for that work.
Catalogue order is mostly alphabetical by Spanish title. Exceptions include "Untitled" works and "Títeres" (#23). Articles such as "El," "La," "Los," etc. are not included in the alphabetization even though they are shown in their normal position within the title. To read more about the catalogue's policy and procedures regarding Quintanilla's titles, click here.

Table of Contents
To navigate this
catalogue raisonné,
choose from the links below.
Thumbnails, Part 4:
Prints made for Illustrated Books
 (These prints are not included in the catalogue raisonné proper.)
A Biographical Chronology
of the artist (and its accompanying linked pages) appears on the website
The Art and World of
Luis Quintanilla
To navigate
The Fiene Quintanilla Online Catalogue Raisonné Project, use the links below.
Useful Links
Quintanilla Copyright ©2006,
Jeffrey Coven, CATRAIS Copyright ©2010 IA\TPC
Title, Date Cat. #
(Click title to view full entry)
Thumbnail Image
(Click image to view full entry)
No image of this print has been found.
Alegrias
(Joy)
1931-34

Catalogue Entry #: 1
El botijo
(The Earthen Jug)
1934

Catalogue Entry #: 2
Cafetería en Lloret de Mar
(Café, Lloret de Mar)
1933

Catalogue Entry #: 3
Calle de Madrid [1]
(Madrid Street)
1931

Catalogue Entry #: 4
Calle de Madrid [2]
(Madrid Street)
1931-34

Catalogue Entry #: 5
Calle de Madrid [3]
(Madrid Street)
1931-34

Catalogue Entry #: 6
Calle de Madrid [4]
(Madrid Street)
1931-34

Catalogue Entry #: Temporary (Transitorio) # 7
Calle de Madrid evocando a Goya
(Madrid Street Scene Evoking Goya)
1931-34

Catalogue Entry #: 8
Comercio
(Business)
1934

Catalogue Entry #: 10
Consejos
(Advice)
1931-34

Catalogue Entry #: 11
Curiosidad
(Curiosity)
1931-34

Catalogue Entry #: 12
Deseos
(Desire)
1931-34

Catalogue Entry #: 13
Diversiones burguesas
(Bourgeois Diversions)
1931-34

Catalogue Entry #: 14
Emigrantes
(Emigrants)
1931-34

Catalogue Entry #: 15
Este pobre queria un poco de amor y por eso esta melancolica
This poor girl wanted some love and because of that she's melancholy
1931-34

Catalogue Entry #: 16
El fenomeno
(The Phenomenon or The Freak)
1931-34

Catalogue Entry #: 17
El forzudo
(The Strong Man)
1931-34

Catalogue Entry #: 19
Gitanerias
(Wheedlers)
1931-34

Catalogue Entry #: 21
Títeres
(Puppet {marionette} show)
1931-34

Catalogue Entry #: 23
Interior de castilla
(An Interior of Castile)
1931-34

Catalogue Entry #: 24
Interior de un tranvia en Madrid
(Interior of a Streetcar in Madrid)
1931-34

Catalogue Entry #: 25
Mi Portera en Madrid 1933
(My Housekeeper/Concierge in Madrid in 1933)
c. 1933

Catalogue Entry #: 27
Natureleza Muerta “El botas”
(Still life “Congress boots”)
1934

Catalogue Entry #: 29
Naturaleza viva
(Still Life)
1931-34

Catalogue Entry #: 30
! OH la ciencia !
(!Oh science! )
1931-34

Catalogue Entry #: 31
La sidreria vasca
(The Basque Cider Bar)
1931-34

Catalogue Entry #: 33
Los soldaditos
(The Little Soldiers)
1931-34

Catalogue Entry #: 34
Teatro burgues
(Bourgeois theater)
1931-34

Catalogue Entry #: 35
La tia de la cabra
(The aunt of the she goat)
1931-34

Catalogue Entry #: 36
Tranquilidad
(Tranquility)
1931-34

Catalogue Entry #: 37
Verano
(Summer)
1931-34

Catalogue Entry #: 38
Untitled
[Decoration/Stage Setting]
1931-34

Catalogue Entry #: 39
Untitled
[The Girl from Extremadura]
1933

Catalogue Entry #: 40
Untitled
[Saltimbanques]
1933

Catalogue Entry #: 41
Untitled
[Winged Madonna with Child]
C. 1934

Catalogue Entry #: 41A
Four Lithographs from Quintanilla's book All the Brave are ambiguous in their specific time and place of origin and could either conclude the Madrid Series or begin the New York Series of Quintanilla's prints. As a result they are shown only in the topic gallery, Spanish Civil War. (Please click the previous link for a complete presentation of these works.)
This page last revised: Saturday, January 06, 2007